Venue: St John the Evangelist Church, Iffley Road, Oxford, OX4 1EH
Date: Tuesday 10th May at 7.30pm
Tickets: £25, £20, £15 (students & u18: £5) from www.ticketsoxford.com
Trevor Pinnock (harpsichord and organ)
Sophie Gent (violin)
Matthew Truscott (violin)
Jonathan Manson (viola da gamba)
World-renowned harpsichordist, conductor and pioneer of performance on historical instruments, Trevor Pinnock joins forces with some of Europe’s finest instrumentalists to open the 2016 Oxford Early Music Festival. Pinnock is joined in a programme of sensuous chamber works by Purcell, Corelli and Handel, by Sophie Gent, Professor of Baroque violin at the Amsterdam Conservatorium; Matthew Truscott, a leader of the Orchestra of the Age of Enlightenment and Jonathan Manson, acclaimed performer on both viola da gamba and cello.
This concert is a co-production with SJE Arts.
Venue: Christ Church Cathedral, St Aldate's, Oxford, OX1 1DP
Date: Wednesday 11th May at 8pm
Tickets: £22, £15, £10 (U18 £5) from www.ticketsoxford.co.uk
Christ Church Cathedral Choir and Oxford Baroque, conducted by Stephen Darlington, perform the unjustly neglected C-minor Requiem by Francesco Durante, alongside Pergolesi’s moving masterpiece, the Stabat mater. The talented team of soloists are headed by The Sixteen’s Alexandra Kidgell and exceptional young countertenor James Hall. Christ Church Cathedral Choir is one of the finest cathedral choirs in the world, famous for the youthfulness of its sound and its daring and adventurous musical programming. The virtuosic young players of Oxford Baroque are no strangers to the Oxford Early Music Festival, and their sensitive and committed playing always delights.
Durante was renowned in his day as much as a teacher as for his skill as a composer and his famous pupils included Giovanni Battista Pergolesi. The concert will be the first performance of a new edition of Durante’s spectacular Requiem, prepared by the choir’s director, Stephen Darlington. A rare opportunity to hear these two Italian masterpieces side-by-side, this is an event not to be missed!
Venue: Christ Church College Library, St Aldate's, Oxford, OX1 1DP
Date: Thursday 12th May at 7pm
Tickets: £22 (U18 £5) from www.ticketsoxford.co.uk
To celebrate the Festival’s exhibition of partbooks in Christ Church Library, this evening event will provide a unique insight into the treasures contained within the College’s collection. Chief among them are the set known as the ‘Dow Partbooks’. Compiled towards the end of the sixteenth century by Robert Dow, the collection contains many of the highlights of the Tudor choral repertoire, with masterpieces by William Byrd, Thomas Tallis, Robert White and many more.
Magnificat is one of the world’s premier vocal ensembles, internationally acclaimed for its sophisticated, historically-informed performance of Renaissance choral masterpieces. The ensemble will provide an hour’s recital of works selected from the Christ Church collection. John Milsom, one of the world’s leading experts on Tudor music, will provide a brief introduction to the exhibition, and the evening will close with a glass of wine and the opportunity to view the musical manuscripts.
A unique opportunity to see, hear, and learn about some of Oxford’s hidden musical treasures in the spectacular setting of Christ Church Library, this promises to be a truly special event. Early booking is advised, as space is limited.
Venue: University Church of St Mary the Virgin, High Street, Oxford, OX1 4BJ
Date: Friday 13th May at 7.30pm
Tickets: £25, £18 (U18 £5) from www.ticketsoxford.co.uk
Emma Kirkby (soprano)
Robyn Allegra Parton (soprano)
Robin Blaze (countertenor)
Thomas Hobbs (tenor)
Brian McAlea (bass)
Jonathan Arnold (bass)
Daniel Hyde (director)
International Baroque Players
As the centrepiece to the 2016 Oxford Early Music Festival the International Baroque Players and Ensemble 45 once again join forces with conductor Daniel Hyde and established soloists at the peak of their careers alongside the stars of the future, to perform Handel’s epic and virtuosic oratorio Israel in Egypt. Telling the story of the flight of the Israelites, including the parting of the Red Sea and the joyful ending to the journey, Handel’s dramatic oratorio will be brought to life by a superlative team of soloists, headed by early music superstars, soprano Emma Kirkby and countertenor Robin Blaze. This is sure to be an unmissable concert!
Tickets include free admission to a pre-concert talk, given by leading academic Deborah Rooke. The talk will be at 6.30pm in the University Church and will last for approximately half an hour.
Venue: Faculty of Music, St Aldates, Oxford, OX1 1DB
Date: Saturday 14th May, 10:30am to 1:00pm and Sunday 15th May, 1:30 to 4:30pm
Tickets: Free and open to all!
When the Elizabethan gentleman John Sadler sat down to copy his music partbooks – adorned with elaborate initials, colourful inscriptions and charming pictures of birds, animals and plants – little did he know that he had chosen an overly acidic ink. Over the centuries this ink would burn through the paper, leaving his once beautiful partbooks stained, difficult to read, and too fragile to be handled. With funding from the Arts and Humanities Research Council, the Tudor Partbooks team are digitally reconstructing
Join the team to discover more about John Sadler and the process of digitally reconstructing his partbooks. Drop in anytime during the times above to meet volunteer restorers, try your hand at digital reconstruction, hear performances by viol consorts and choirs of the music that Sadler copied, and even have a go at singing from our reconstructed manuscript pages. For a full schedule of talks and performances click here.
Venue: St Mary Magdalen Church, Magdalen Street, Oxford, OX1 3AE
Date: Saturday 14th May at 1.15pm
Tickets: £12 (U18 £5) www.ticketsoxford.co.uk
Virtuoso recorder player, László Rózsa and renowned harpsichordist Jan Waterfield combine in a programme exploring the enticing world of musical ornamentation. The practice of ‘diminutions’ (adding ornamented smaller notes) reached its peak in the late sixteenth and early seventeenth centuries, with performers demonstrating their facility and ingenuity in improvised works on popular madrigals, melodies and dance music.
Hungarian-born recorder player, László Rózsa, studied in Vienna, Hamburg and London, and is already marked out as one of the finest players of his generation. Accompanied by one of the UK’s most accomplished harpsichordists, this programme provides the perfect showcase for László’s exceptional talent.
Venue: St Peter's College Chapel, New Inn Hall Street, Oxford, OX1 2DL
Date: Saturday 14th May, 2.30 - 5.30pm
Tickets: £15 (£5 students). Reserve your place at firstname.lastname@example.org, stipulating voice part.
Jeremy Summerly, founder of Oxford Camerata and Director of Music at St Peter’s College, Oxford leads a workshop based around Thomas Tallis’ momentous forty-part motet Spem in alium. Aimed at experienced amateur choral singers, the workshop will explore the wide variety of works left to us by Thomas Tallis, a composer who worked under four different monarchs during a turbulent time in English history. An opportunity to sing in Tallis’ forty-part motet, justly considered one of the crowning glories of English Tudor music, is a thrilling and rewarding challenge for any choral singer!
This workshop is open to anyone with experience of choral singing. Tickets £15 (£5 students) to include tea/coffee and biscuits. Reserve your place at email@example.com, stipulating voice part.
Venue: Merton College Chapel, Merton Street, OX1 4JD
Date: Saturday 14th May at 8pm
Tickets: £20 (concessions £15 and £10) from www.musicatoxford.com
Alessandro Striggio’s great 40-part motet, Ecce beatam lucem, lost for four hundred years and rediscovered in 2007, is believed to have spurred Tallis to write his masterpiece, Spem in alium, when Striggio brought it to London in 1567. Merton College Choir’s success as a breeding-ground for young singers is celebrated with the return of some of its most outstanding alumni to bring Striggio’s great piece to life, alongside works by the Renaissance choral masters Gabrieli, Victoria, Praetorius and Schütz.
A pre-concert talk will be given by Professor Suzanne Aspden at 7pm, free for all ticket holders.
Venue: New College Chapel, Holywell Street, OX1 3BN
Date: Saturday 14th May at 10pm
Tickets: £12 (U18 £5) from www.ticketsoxford.co.uk
Voice, the unique a cappella trio, presents an atmospheric late-night concert of sacred and secular songs from medieval Europe. Their programme features the devotional, soaring chant of the German medieval abbess, Hildegard of Bingen, whose music has long inspired the group, alongside heartfelt songs and florid motets by composers such as Guillaume de Machaut and Jacopo da Bologna.
“I would defy anyone to listen and not be moved” The Oxford Times
Venue: Old Library, Magdalen College, High Street, OX1 4AU
Date: Sunday 15th May at 1pm
Tickets: Free to attend
Drop-in performances at 1pm, 1.20pm and 1.40pm.
In a late addition to the Festival programme, Emma Kirkby will join the musicians of Dowland Works for a series of short lunchtime recitals in advance of their evening concert.
Magdalen College Library recently purchased a rare surviving copy of the original publication of the songs of John Dowland, and this beautiful volume will be on display. This is a unique opportunity to hear some of the finest music of the seventeenth century in the intimate and stunning setting of Magdalen’s Old Library. This event is generously supported by Arts Council England and is free to attend. Capacity is limited so please arrive early to guarantee a seat.
Venue: Holy Rood Church, Folly Bridge, Oxford, OX1 4LD
Date: Sunday 15th May, 4 - 6.30pm
Tickets: £15 (students £5), including tea/coffee and biscuits. To reserve a place, email firstname.lastname@example.org, stating your voice part.
Following the success of a similar workshop in 2015, John Milsom will lead a workshop introducing singers to reading from original Renaissance notation. The session will give participants the chance to try their hand at singing from facsimiles of Tudor partbooks, and is aimed at experienced amateur singers. John Milsom is one of the world’s leading editors of and experts on Renaissance music. This workshop is held in conjunction with the exhibition, curated by Milsom, of musical treasures from Christ Church Library.
Tickets £15 (£5 students) to include tea/coffee and biscuits. To reserve a place, email email@example.com, stating your voice part.
Venue: Holywell Music Room, Holywell Street, Oxford
Date: Sunday 15th May at 7pm
Tickets: £18 (U18 £5) www.ticketsoxford.co.uk
Early-music superstar, Emma Kirkby, one of the leading lights of the Early Music revival, brings the next generation of performers to Oxford in a celebration of the music of John Dowland and his contemporaries. In the near-perfect acoustic of Europe’s oldest purpose-built concert hall, Emma Kirkby and the talented young musicians explore the rich tradition of domestic music-making in seventeenth-century England.
Emma Kirkby (soprano) with: Angela Hicks, Roberta Diamond (soprano), Clemmie Franks (alto), Michael Solomon Williams (tenor), Richard Moore (bass)
Toby Carr, Wezi Elliott (lute)
Venue: Christ Church Upper Library, St Aldate's, Oxford, OX4 1DP
Date: Monday - Friday 9am - 5pm.
During the Festival a selection of Oxford’s early music treasures will be displayed in the spectacular Upper Library at Christ Church. This special exhibition showcases the music-books used by singers in the age of Queen Elizabeth I, with special emphasis placed on partbooks – matching sets of volumes in which each singer views only her or his own voice-part, not the whole composition in score. Pride of place goes to John Baldwin’s manuscript partbooks, copied largely in the 1580s, which are the sole source of many of John Sheppard’s works, as well as of pieces by Thomas Tallis, Robert White, William Byrd and their contemporaries. Also on display are Robert Dow’s partbooks, dating from the same decade, and prized as much for their superb calligraphy as for their musical contents. Complementing the partbooks is a display of musical tablebooks, which require the singers to cluster round all four sides of the opened volume, reading in each direction; Thomas Morley and John Dowland are the composers featured here. There will be a chance to see a massive printed choirbook, Tomás Luis de Victoria’s Motecta of 1585, which is legible to a whole choir when placed on a lectern – and, in total contrast, a pioneering example of a printed study score, in the form of Claudio Monteverdi’s earliest opera, Orfeo.